From 2002 to 2010, the Kakiseni digital arts hub regularly published reviews, interviews, and other press content related to the Malaysian art scene. The archives, preserved by the MY Art Memory Project, an initiative of Five Arts Centre, feature a diverse cast of figures; some of whom continue to write while others have gone on to pursue other interests and platforms.
With the decline of community-driven publications, there is also a decline in spaces for more experimental, personal, and long-form arts writing. In the Kakiseni archives, there is a sense that the artists, writers, and bohemians within its folds are writing to and for each other rather than for a general audience. The taboo of the single-person ‘I’ in criticism is regularly transgressed.
Trawling through, you imagine yourself amidst the warm chatter of a large, sophisticated party where you’re surrounded by people you don’t know personally but admire, nevertheless. The lucidity and intelligence of the conversations happening there keep you on your toes, running around trying to eavesdrop on everyone.